“Coexistence”, who focuses on the Israeli comedian Nam Schuster Iliasse, won the International Competition Department in the International Section in the twenty -seventh Saloniki race. The documentary festival Sunday.
“With a convincing and freed narration of taboos in the region (the Middle East), the sound of sleep and humor calls for a deeper understanding and retreat.
The movie that he described diverse“The references” as “urgent, open and emotion”, won the Prize of the Persons of the Documentary of the World Cinema for Freedom of Expression at the Sandans Film Festival.
Thessaloniki Win makes the film qualified for the documentary category for the following Academy Awards.
Alexander Silver in the international competition went to “Leonard Peltier Free”, directed by Jesse Short Paul and David France. The jury said that the film, which focuses on the original American activist Leonard Beliteier, “speaks to the history of human rights violations against indigenous Americans, and their multi -generations resistance, while highlighting the ongoing struggle for sovereign lands and resources.”
A special male went to the “Dust Child” at Weronika Mliczewska, who follows a Vietnamese man looking for his father, a former American soldier. The jury said that the film “Sinika’s image is a beautiful film, telling a global story about the dire consequences of war and longing for patriarchal love.”
Alexander’s golden competition for new expatriates went to “How to build a library”, directed by Mia Liko and Kristover King, which follows two mission of Kenyan women to restore a public library in Nairobi. The film had the first world screening in Sundance.
“With emotion, filmmakers offer permanent colonial fingerprints while celebrating the activity and battle between two friends to reach public places that can be truly accessible; places where people can deal with with their novels and history,” said the jury, which consists of film makers, Inca Ashtie and Tondi Skovrin, and journalist Tina Mandlaria.
The new arrivals competition went to Silver Alexander to Peron Critzas, “talking about worship here,” about Core. Ydro. , Corfu. The jury said that it was “transferred by the warm heart and the rebellious spirit of this film, which reminds the audience to healing and linking the qualities that could have art, in this case, to people across generations and borders.”
A special male of the “pet farm”, directed by the Finnish, Al -Thaath and Martin A. And the rich. The jury said that the film, about a Norwegian man who wanted to create a farm, was raising foxes for domestication and selling it later as pets, “by lonely, the need to find the lost self through the relationship with the most primitive version of nature.” “It provokes moral dilemmas and makes us see with its beautiful cinematic filming the problems of the civilized world that we are supposed to live in,” the jury added.
Golden Alexander for the Film Forward, for films that “try the shape and method of documentary films”, went to “an endless cookie”, directed by Seth Skr Skrip and Peter Skr Serp. The Canadian animated movie “The complex bond between two brothers – one of which is indigenous, is white – travels from the present in the isolated samoa to the loud Toronto in the 1980s.”
“A sharp and funny reflection on” a movie within a movie “, in the family community and common culture. It is a celebration of the graphic music of the daily life that takes us within a world that is rarely reached without assignment.”
The mother competition went to the front Silver Alexander to “Meanwhile” by Katherine Gond, described as “cinematic contemplation on identity, race, racism and resistance.” The jury said that the film succeeded in publishing “a form of poets without losing accuracy, social and historical signs and a sense of collective art that takes us within the deep flexibility of black culture.”
A special male went to the “Night Museum” in Verman Elwi Acosta, on the authority of Argentine artist Leandro Katz, the September Theater in New York, and the actors who in the clouds, and they met “texts that mix higher literature with a strange colloquial.” The jury praised its “intensive research in an unknown archive and an attempt to create a visual language that corresponds to the topic.”
The Mamersive: The Cinema Award went throughout the cinema to “End Sweet Of The World” from Stefano Conca Bonizzoni! “
