Tabrez Norani and Amar Butala has signed the Ashok Rajamani notes “The day when my mind exploded.”
The adaptation tells the story of survival Al -Rajamani as an Indian first -generation American who suffered from catastrophic brain hemorrhage at the age of 25 during his brother’s wedding, which leaves him to move in deep physical and emotional challenges. The notes were destroyed as the first American memoirs of its kind to treat disability, racism and cultural taboos.
Nurani, which includes production credits that include the “Slumdog Millionaire” and “Life Of Pi”, along with TentPoles Studio “Zero Dark Thirty”, “Million Dollars”, and “Mission Isshine: Ghost Protocol”, will benefit from his experience in the storytelling of stories For the project. He previously appeared in the exit with the drama of human trafficking “Love, Sonia”, Demi Moore and Freida Piteo.
Nurani said: “I am excited to adapt,” the day when my mind exploded, “because it is a story that embodies the essence of what it means to rebuild yourself when everything looks lost.” “Emotional depth, weakness and victory over adversity makes it amazing narration to make life on the screen. It is not just a story about survival from physical shock; it relates to the emotional and psychological trip to find the meaning in the aftermath of the aftermath.”
Joining production is Bollywood Potala Potala, whose biography includes “Bajranji Bahijan”, one of the highest Bollywood films of all time. Butala, which also contributed to “Slumdog Millionaire”, brings the heavyweight experience experience in adaptation.
“I am glad to bring,” Potala said. “This is not just another medical story. It is an opportunity to tell a deep personal story, but it depends globally, and it is a story that mixes cultural wealth with the raw human experience in a way that has not been seen before. “
“My notes are in Amina’s hands. As the American son of Indian immigrants, I am completely pleased, as Tabriz and Ammar participated in some of the most famous films in terms of expatriates in South Asia in cinematic history.”
