Michael Angrano and Michael Sera were on the screen for most of their lives. Each of the former actors, each of them, grew up with an adult in front of the fans during the Agets- for Angarano, as the son of Sean Hayes in “Will and Grace” or Nepo-Superhero of Disney Teener “Sky High”; For CERA, in the successive comedy of “Development Development” and “Superbad”. But the intense lights in particular-being the representation on the screen for the millennium generation, then consciousness-less than a burden in the mid-thirties.
“For nearly 20 years, I was really concerned about walking next to a high school because children know who I am and create a group of energy that does not enable her to withstand. But now I feel very comfortable walking next to a secondary school, because I know that they have no idea about who I am,” says Cera laugh.
Both Mikes will get the age of adulthood again in the comedy of their new friend, “SACRARNTO”, where two of the child’s childhood friends who have long been separated-played some common concerns during a wild trip dare to the trees to the capital of Sleepy Central Valley State. Directed by Angarano, and participated in his writing with Christopher Smith (another former child actor), the comedy comes with external emotions, starring actors, who came to the public as children, now playing men who face responsibilities for very adults (and retreat in the abundance of events).
“If people are familiar with you, this is a great opportunity to sabotage it,” says Angrano. “It may be very easy because people do not really know us. They only know this idea about us.”
“But this is only the most elderly fans. There are also people who do not know who we are at all,” says Sera. “I love the idea that this is the first thing that anyone saw – some young children on the Delta Airlines journey within two years. Then they run Google and” Oh, they were present, in reality. “
CERA, I composed the result for the first feature of Angarano in 2017, “Avenues”. But when did two of you call for the first time and how did this turn to this cooperative partnership? They both emerged in the industry in parallel.
Michael Sera: Mike was making a movie with our friend, Max Winkler, called “A party”. This was where we became friends first. I just went because it was exciting that Max was making his movie. I was supposed to do music for that, which I did not. After that, we were hanging on all the time. We had a small group in Los Angeles for our twenties that were together all the time.
Michael Angrano: We were all children. Our copy was from the college group.
Sira: When you are in the early twenties of your life while you are working professionally, all other people in school are largely-with the exception of other actors outside the work.
benefit: This is where we approached. But I am confused, because I also came to the test for “Scott Pilgrim”.
Sira: Oh, yes, we read together.
benefit: But that was after a “party”, or was that before the “ceremony”?
WalkWell, it was like 2009, it would have been. When was a “party”?
benefit: I don’t know.
Sira: I am.
benefit: anyway.
Michael Sera and Michael Angrano in “Sacramento”
Evere group of courtesy
When you and Chris Smith are writing the movie, were you open to playing any of the role, Angrano?
benefit: We wrote it with an idea, “Two of us may play us, one of us may play it, none of us play it.” Looking for money informally, then more seriously, it became clear that this will be a difficult mountain for climbing. So, the idea of playing (CERA) playing the part, if we can get it, it will be the version. But if Mike says no to play Glen, you will be completely open because it is not present at all. Mike was really the only person I thought would be appropriate for that, that would work organically. But there was another version as this may be a $ 25 million movie somewhere, and we do not play these parts at all and get another person to direct it.
Why was the “only person for that”?
benefit: I just love him as an actor. There is only a wonderful and funny handful as well. Mike has always made significant choices. Even in sending it to him, I didn’t want to infringe on our friendship, but I did not worry about it. I knew that if he was not interested, he wouldn’t do it just like courtesy. When you ask people, it seems inevitably to be a kind of preference. I will not lend myself in favor, really. I know the question is objective, but it is imperative that you feel as if you are asking a lot of someone because you know it. I am always aware of this.
When talking about these meaningful options, CERA, a point in bringing a high -island’s name to the Indian islands like this and “Christmas Eve in Miller’s Point” and “The Comy” over the past few years. You are sitting next to one of the managers – is this the way you are also interested in?
Sira: I try – just push the rock along. I have two projects that I try to bring. I hope this will happen. It takes a continuous boost to line up and get the shot.
Klakk became fathers in the years that have passed on the announcement of the film. It is a realistic real life parallel to the story’s concerns. Sira, your personality is concerned about the responsibility received from paternity and motherhood. Is this something you were aware of as the Steam project gained?
Sira: He made everything the character was struggling with her immediately. I cannot imagine that the movie has formed any other way, because all of this really has become its essence. Although it did not start this way, it has evolved into this story about the irreversible transition of life. It was very useful.
benefit: I am not aware of how exactly how I affected me, but I am positive. He did so. I can’t tell you in any accurate way. It moved from being by default to a very literal. I will be interested in watching the movie if we succeed in this five years ago, before having children.
“Sacramento” is now in theaters of vertical entertainment.