Corruption alert: This article contains spoilers about “Rosario”, and it is now playing in theaters.
“Rosario”, now in the theaters of Musto MAS, the launch of brands, several signs of a traditional magic movie: there are ghost characters, the terrifying of the total body and the hands of creeping fire from the dark. However, the writer Alan Treza had a deeper thing when writing this story.
Emerade Toubia plays the title of the title of the title, and she is a businesswoman who is disturbed when she must tend to the body of her grandmother who was just passing through her apartment while waiting for an ambulance. The paramedics are late late due to a huge storm in New York City – the Treza Mate for the first days of the epidemic, when the bodies of family members were trapped at home for long periods because health care workers were linked. Once you enter the apartment, Rosario should deal with a dobid dastmalchian neighbor and realize that her grandmother seems to evoke some heavy magic, which could have been her journey in her upbringing.
While the world of Rosario is an unknown and specific gray skyscrapers in the city, her grandmother’s house is full of the symbols of her Mexican culture – even dark corners with evidence of magic. Trezza says he wants to deliberately show a letter about migration and assimilation. Given that he is a migrant child and his American Mexican wife, he raises his own upbringing.
He says: “In order for someone to succeed in America, to get this American dream, it sometimes costs more than just sacrificing time,” he says. “Sometimes a sacrifice is the identity of a person. I wanted to explore what someone needs to sacrifice from another country in order to obtain the American dream: sometimes their family roots, sometimes their culture and race. Often people feel the need to change their names, change their appearance, and change the way they only speak to hit this category coming to success.”
In the search for the dark magic that rises through her family, Trezza wanted to avoid the arts that were repeatedly discussed such as Santería and Voodoo. Instead, focus on the religion of Palo Miomel.
“People use it for good and they will also use it badly,” he says. “Some pray for health and luxury, but there are also people who use them for thorny means. In my research, it was chosen a lot by Mexican drug gangs. They take them to the maximum and exercise human sacrifices for power, for wealth, for the protection from DeA. Human remains.
While Rosario learns more and more about her family, she also faces fears, if it were the ordinary Haunted House movie, he would follow as typical voices at night. However, she realizes that the film applies that the brutal moments she faces refer to the horrors of real life that her family faced crossing the borders, in the dangerous and unconfirmed moments that prove her terror from any ghosts. Trezza says it is essential that these concerns are not empty, but rather to the central issue, which gives them real terrorism.
He says: “Being a fan of horror movies for life, the most effective concerns have a meaning for them.” “They have a kind of topic, a kind of symbolism. Since this was a movie about dealing with the experience of immigration, I said:” What is the best way to link it in the risks, horrors and true death that these immigrants face every day trying to reach a better future for themselves to use them in this story. “
The novel of cultural stories has opened the imagination of Trezza, and says he has already written another text about “A person who uses magic to heal people.”
“She explores the good side of magic – white magic – and black magic,” says Teresa. “This person deals with White magic again, as well as topics for our personality that escapes from her past and using her own skills to stay away from some of the vocal individuals who use this brand of magic but for harm.”
In the end, Trezza is pleased to write materials that are touched by its upbringing in a way that can satisfy the masses that relate to, along with people who learn only about culture.
He says: “Mexican culture, Latin culture, is full of incredible stories, incredible topics and incredible people.”
Watch the new exclusive international trailer for “Rosario” below.
